Tuesday, August 6, 2019
Feminism and the Body in Art
Feminism and the Body in Art Modernism is described usually as a movement and a tendency to provoke reflection and an individual character. During this period, art was seen to be set in its ways and people wanted to expand with new ideas and not stay in the lines of colour and structure. This movement was a representation of alternative modes for literature, art, photography and film. Its intention was to find new hidden meaning in human kind and use them to the best of their ability in experimentation. I feel therefore I exist. (Internet Archive Jean Jacques) The Oxford English Dictionary refers to postmodernism as a style and concept in the arts characterized by distrust of theories and ideologies and by the drawing of attention to conventions. (Internet Oxford Dictionary) Post Modernism didnt seem to have a theory, it was what it was, which meant it had smaller narratives and people gained the knowledge to do something with it. This is also portrayed in what was thought to be the start date of post modernism as no one really knows when modernism ends and postmodernism starts, what it does illustrate is cultural thinking and the way we live, what came with this is the reaction to what people thought modernism was. People rejected the thought of perfection but wanted design and purpose. Known for her conversation on bodies, sexuality and gender Carolee Schneemanns work is fundamentally characterized by research into visual convention. Schneemann focuses on the body as an individual and its relationship in general. Schneemanns family was largely supportive of her enjoyment of freeness with her body. As a child, her friends described her as a mad pantheist, due to her relationship and respect for nature'(Kate Haug p114) Schneemann cites her earliest connections between art and sexuality to her drawings from ages four and five, which she drew on her fathers prescription tablets (Linda Montano p135) Carolee Schneemann started her art career as a painter in the late 1950s. Neo-Dada was something that had because an accruing characteristic in her work, adopting box structures coupled with expressionist brushwork. These were shared with Robert Rauschberg using heavy textural characteristics. Schneemann described the atmosphere in the art community at this time as misogynistic and that female artists of the time were not aware of their bodies. These works integrated influence by artists such as Post-Impressionist painter Paul CÃ ©zanne and the issues in painting brought up by the abstract expressionists. (internet archive Jane Harris) Schneemann chose to focus on expressiveness in her art rather than accessibility or stylishness. Still describing herself as a formalist, unlike other feminist artists she didnt want to distance herself from male-oriented art history. Schneemann acknowledges that she is often labelled as a feminist icon and that she is an influential figure to female artists, but she also notes that she reaches out to male artists as well. Though she is noted for being a feminist figure, her works explore issues in art and rely heavily on her broad knowledge of art history. Though works such as Eye Body were meant to explore the processes of painting and assemblage, rather than to address feminist topics, they still possess a strong female presence. Revolving herself around sexual expression and liberation Schneemann decided not to revolve around victimization and repression of women. According to artist and lecturer Johannes Birringer, Schneemanns work resists the political correctness enforced by some branches of feminism as well as ideologies which feminists claim are misogynist, such as psychoanalysis. He also asserts that Schneemanns work is difficult to classify and analyze as it combines constructivist and painterly concepts with her physical body and energy.'(Kristine Stiles p3) In her 1976 book CÃ ©zanne, She Was a Great Painter, Schneemann wrote that she used nudity in her artwork to break taboos associated with the kinetic human body and to show that the life of the body is more variously expressive than a sex-negative society can admit. She also stated, In some sense I made a gift of my body to other women; giving our bodies back to ourselves. She preferred her term art historical (without the h), so as to reject th e his in history (Bonnie Marranca Review) While Jo Spence being a surliest and a feminist started her art life working on documentaries, which was very motivated by her political views. Spreading her working life across various camera projects, including being the founder of Hackney Flashers in 1974. After being diagnosed with cancer, Spence became particularly fascinated with the doctor patient relationship Passing through the hands of the medical profession can be terrifying when you have breast cancer.'(Jo Stanley article) Spence decided to document everything that was happening to her through photography, a piece taken while she had a mammograph done truly showed the brutality of her illness as she put her whole body under the scrutiny of one machine making her an active subject in her work. After a lumpectomy, Spence decided to undertake the holistic approach to cancer and underwent various Chinese medicine treatments, as she felt no need for chemotherapy or radioactive drugs. She also decided to use photography as a healing drug putting the emotion and passion into her work as she felt like cancer was able to take everything else. Through phototherapy she managed to capture the relationship between the doctor and the patient, her feelings towards cancer and the powerlessness as a patient. All of this was a need for Jo Spence to portray as not only a patient but a feminist. She was particularly interested in the perception of the breast as substance of desire, a medium for nourishing babies, and finally in her case of breast cancer, as a possession to be installed in the hands of the medical institution. This is what has really inspired me with her work, and her experience during her suffering of cancer. This is demonstrated in her photo of her breast, marked with pen t he property of Jo Spence? where she appears to question her rights over her own body, using the breast as a metaphor for womens struggle to become an active subject. (Bonnie Marranca Review) She puts no limits on her work and covers many social issues while her own pain. Jo Spence really makes me think about the body as a subject rather than an object. Thinking about the body and what it is used for, you never expect it to be destroyed by such an evil mass and this is what Jo Spence looks at. I think Spence has a certain power over her work and having such a raw quality which she uses to her best advantage, this is something I can only hope to achieve in my future work. After looking at her work I can only appreciate her time going through her ordeal of cancer, as I have only been a witness to what cancer can do no one can fully understand it until you go through it. Spence using photography captures the story but what cant be told. Internet Archive The Confessions Of Jean Jacques Rousseau Now For The First Time Completely Translated Into English With Out Expurgation Volume II [internet] [accessed 15.11.2009] http://www.archive.org/stream/confessionsofjea012146mbp/confessionsofjea012146mbp_djvu.txt The Oxford Dictionary, Oxford University Press 2009 [internet] [accessed 15.11.2009] http://www.askoxford.com/concise_oed/postmodernism?view=uk Journal Haug, Kate (1998). An Interview with Carolee Schneemann (1) P 114 (accessed 20.11.2009) Montano, Linda (2001). Interview with Linda Montano. Imaging Her Erotics: Essays, Interviews, Projects (accessed 20.11.2009) Morgan, Robert C.1997. Carolee Schneemann: The Politics of Eroticism. Art Journal 56 (4): pp. 97-100 (accessed 20.11.2009) Harris, Jane (1996). Review / Carolee schneemann http://www.plexus.org/review/harris/schneemn.html (internet) (accessed 20.11.2009) The Art of Transgression. Jo Stanley, editor. Routledge.1995 (accessed 20.11.2009) Stiles, Kristine (2003). The Painter as an Instrument of Real Time. Imaging Her Erotics: Essays, Interviews, Project (accessed 22.11.09) Marranca, Bonnie (1999). Book Review: Bodies of Action, Bodies of Thought: Performance and Its Critics p20 (accessed 22.11.09) Bonnie (1999). Book Review: Bodies of Action, Bodies of Thought: Performance and Its Critics p41 (accessed 22.11.09)
Monday, August 5, 2019
Absurdism In The Stranger And Metamorphosis English Literature Essay
Absurdism In The Stranger And Metamorphosis English Literature Essay The theme of absurdism used by Franz Kafka and Albert Camus does full justice to bring out the pathos in both The Outsider and The Metamorphosis by Albert Camus and Franz Kafka. They establish the unsettling existence of the both the protagonists. The present situation of the narrators brings to life incidents that justify their unpleasant situations and what they are going through in their respective lives. Where existentialism questions mans existence in a particular social system; absurdist investigates characters that are placed in society that is devoid of God and how syllogism and parody loom large over the entire situation. Hence The Outsider and Metamorphoses have existentialism and absurdism as the philosophical tools that take these stories ahead. Camus concretizes an absurdly dramatic story of a man who has no emotions in him evidently in the opening lines Mother died today. Or maybe yesterday, I dont know. I had a telegram from the home: Mother passed away. Funeral tomorrow. Yours sincerely. That doesnt mean anything. It may have been yesterday. He- does not even feel obliged to justify his reason behind such odd and discourteous avoiding of any emotional involvement. Speaking briefly with the director of the home, Mersault tells him that he did not feel any guilt at having sent his mother away. He even declines an invitation to view the body, but keeps vigil with it overnight, in accordance with the custom. When asked by the undertaker how old his mother was, he replies Fairly, for in truth he doesnt know her exact age. His going for a swim with a woman of his acquaintance at an inopportune time proves once again futility of his life. As an embodiment of absurdism, Mersault doesnt see any need to fulfill or dispel the discomfort from the minds of the people as his nature was very offending to other people. He seemed completely inhuman, and never believed it was important to live up to the expectations of others and follow etiquette. According to me, every human being goes through the kind of unpleasant and embarrassing situations Mersault and Gregor face but it principally depends on how a writer decides to detail and sketch these characters. There is a funeral procession, in the heat of the day, across the parched, sun-drenched landscape, and once again, Mersault is disturbed by the light, the sun, and the heat, and feels unable to concentrate. This uncanny effect to the point of blinding ones vision evinces unjustifiable discomfort Mersault exudes towards the society. The Outsider is set in Algiers, where our protagonist Mersault, who was a bachelor, is leading a life that questions his existence. He does not show any interest in his job and does not believe in socializing with other people around him. As the story goes ahead, the reader gets to see the quirkiness of Mersault towards the world with conflicting emotions that make him commit a deadly crime. This marked nature of Mersault is brought out in the narrative in many incidents in the book; one of them being in chapter four where he is not at all concerned about Raymond torturing his wife. He responds matter of factlyAt about 3 in the morning there was a knock on my door and Raymond came in. I didnt get up. I sat at the edge of my bed. He didnt say anything for a minute and I asked him how it had gone. He told me that he had done what he wanted to do but shed slapped him and so hed beaten her up. Id seen the rest. I told him I thought that this time shed really been punished and he ought to be pleased. Mersaults brusque attitude towards other people around him reckons him as an outcast. I feel that the writers philosophical stance is unique, as he puts immense emphasis on the belief of absurdism and we need to understand what absurdism is ? Absurdist fiction is the manifestation of certain beliefs that dominated the works of a number of playwrights during the middle of the 19th century. This form of fiction implies that in a world that is devoid of God, the existence of human being shall have no strong foundation, it would be meaningless. The absurd elements in such plays and fiction were the fact that man has been thrust into a world where he cannot survive on his own instincts but is maneuvered by a force invisible to him. He is caught up in paradoxical situations and finds no reprieve by communicating or logical action. His actions and dialogues turn out to be a mockery of his own existence. The best part about the narrative is that it does not preach with a message but at the same time does tend to ask us some important questions about humans and their social existence. The narrative is kept simple but is compelling nevertheless. Therefore, the work is a reflection of Camuss moral axiom. Like Camus, Kafka too was existentialist and adapted to an absurdist way in carrying the narrative of his stories ahead as traces of his style are evident in his letter to Max Brod. In Franz Kafkas The Metamorphosis, the absurdist and existentialist elements form the main parts of Kafkas narrative. The story begins with the line When Gregor Samsa awoke from troubled dreams one morning; he found that he had been transformed in his bed into an enormous bug. After realizing that his life would never be the same again Gregor starts realizing certain truths about his existence which had not come to his realization before. He starts to reflect on his own being. Till the day before he had been a hardworking salesman who looked after his family but now he cannot continue the same life anymore. Now after Gregors transformation his parents and sister realize that they shall now have to look after Gregor and start making a living of their own. This leads Gregor into a state of depression which he can only observe but cannot do anything about it. His family is robbed of happiness and normalcy and though they are trying their best to cope with it, their disparity is clearly evident in these lines of the second chapter- Now his sister working with her mother had to do the cooking too; of course that did not cause her much trouble since they hardly ate anything. Gregor was always hearing one of them pleading in vain with one of the others to eat and getting no answer except thanks, Ive had enough or something similar. They all knew the unpleasantness they had to confront but none of them had an answer to it. I think that both the stories are existentialist and absurd in their narratives, and they both create a long lasting impact on readers and create a serious sense of debate about human existence and the acceptance of social rules. The Outsider is a well juxtaposed prose of absurdism and existentialism. Mersault is a social outcast and his further actions only make him an object of ridicule in his own society. One cannot see any kind of redemption for Mersault in his predicament; he is doomed and destined for a fatal end. The parts of the story where Mersault is wallowing in self doubt are existentialist in theme and the parts where he is unsuccessfully trying to find out the answers that can legitimize his actions are absurdist. Kafkas Metamorphoses sees Gregor going through an amalgamation of emotional, physical and mental dilemmas. His physical transformation into a vermin is the main culprit. This transformation creates an emotional and mental mayhem in him. It can be said about Gr egor that he has the answers but is in search of the questions. So, the Metamorphoses begins in an existentialist way but ends with an absurdist plot.
Sunday, August 4, 2019
Missile Defense :: essays research papers
ââ¬Å"Star Warsâ⬠was an idea for the future. It was an idea that was set into motion by Ronald Regan and at the time seemed almost like an impossibility. That future is now. Now what seemed impossible is possible with todayââ¬â¢s technology and the technology to come in the upcoming years. George W. Bush is quickly picking up with where Ronald Regan left off. There is a plan in affect for a Missile Defense System. This system will be capable of shooting down ballistic missiles, that have been launched by another state or actor, that are directed at the United States or its allies. However, with this plan for Missile Defense that George W. Bush is pushing for comes great international hostility. Many of the other states are asking the US to stop this project. However though this opposition the President is pushing on, not allowing other counties to compel him to change his mind. The Missile Defense project however controversial it may be on the national and international sc ale must go on for the sake of the security of our nation. à à à à à Ever since 1950ââ¬â¢s the United States has been trying to pursue a ballistic missile system. In that time with the limited technology that was possessed it was not possible to produce an effective defense missile system. However now technology is available to gives to several different options to a missile defense. To understand with these options are we must first understand what missile defense is. Right now the United States is currently developing several components for a missile defense system. The idea this system is to take out in coming ballistic missiles. This system is used to protect the United States and its allies from ballistic missiles launched by other states or terrorist groups. There are three types missile defense that United States is currently working on to defend America and its allies. The first of these is a ground-based system. This system is called the ground-based interceptor. Plans are already in action have them built in the North Dakota in Alaska. The National Missile Defense is heading this system up. The Ground-Based Interceptorsââ¬â¢, or GBI mission is to intercept incoming ballistic missiles outside the Earth's atmosphere and destroy them solely by the impact of the missile. The GBI will carry no explosives on it of any kind. It will take out the ballistic missile solely by its speed.
Saturday, August 3, 2019
Machismo and Latin American Men Essay -- Expository Essays
Machismo and Latin American Men Normally when machismo comes up in a conversation, people are probably criticizing the behavior of a person or glorifying it. Machismo is generally referred to when men behave in an arrogant and aggressive manner often glorifying virility. Men who usually behave in this manner repute all feminine virtues in order to feel secure with their manhood, often going to extremes to protect their manly image. Even though this form of behavior is common among men everywhere, it is wrongly associated with an entire continent of Latin American men. Men that carry out the ââ¬Å"machismo way of lifeâ⬠feel that they have to constantly prove their manhood to the world. This is generally achieved by behaving in an aggressive manner among other men, also females are looked upon as objects and the more women you seduce, the manlier you are. This type of behavior is given praise by other men and by society in general, thus encouraging men to keep on behaving in this macho manner. Another way in which men carry out this macho life style is by a...
Friday, August 2, 2019
Paying Attention to Rural Education Essay example -- Education Schools
For many communities, particularly rural communities, schools serve as a source of identity. Because of this, the problems that plague rural schools become enough of a problem that they threaten the identity of the community; unfortunately, many lawmakers and policymakers in seats of power do not have an intuitive understanding of how rural schools work. Policies that work for urban schools, or even suburban schools, can not be assumed to fit the role of a rural school. It is suggested in this article that more attention needs to be paid to rural schools that fly under the radar or have misdiagnosed problems. Even though a greater number of people are moving to rural areas from urban environments, nationwide awareness of problems in the rural system is nonexistent. As teachers, it is our job to be aware of the problems in rural schools, and to possibly find creative solutions to these problems. Most importantly, teachers must be aware of how these problems affect our students li ves both at home and at school. Because of itââ¬â¢s relatively small place in the entire American education system, the problems of rural education often go overlooked or generalized to fit the problems of urban and suburban environments. The author makes a point of noting that rural schools are not ââ¬Å"urban or suburban schools, only set in remote locations,â⬠( 19 McArdle). The author further argues that ââ¬Å"while rural and urban schools share certain challenges, including the devastating effects of poverty on school children, there are a myriad other problems specific to rural schools, which is why applying an urban model and urban solutions to rural schools simply doesnââ¬â¢t work,â⬠(19 McArdle). These differing problems include long commutes, transportat... ...at much more crucial in the success of the students and school. Teachers must be mindful of the specific problems in their school and community, creative when finding solutions, and open to finding ways to promote diversity when the curriculum materials are lacking. In order for rural schools to compete with the increasingly global society, it is important for students to gain this kind of multicultural awareness. Urban schools are not the only schools that need focus and attention; we need to make sure that we are considering everybody when we talk about public school improvement in America. Bibliography Gollnick, Donna M., and Philip C. Chinn. Multicultural Education in a Pluralistic Society. Upper Saddle River, NJ: Pearson/Merrill/Prentice Hall, 2006. Print. McArdle, Elain. "Boon, Not Boondock." Harvard Graduate School of Education (2008). Print.
Thursday, August 1, 2019
A Good Man essay
Misfit : Definitely round. He is a murderer. He lacks apathy for most of the family, but he takes time to talk to the grandmother. He is from a ââ¬Å"goodâ⬠family and seems to know how to talk the talk of a good southern boy. He actually seems touched by the grandmother's words, yet he is quickly repulsed by his apathy. He almost seemed like he was going to help out the stranded family until they reccognized them. The grandma is an example of a round/dynamic character because she has varied traits and her character changes during the story.She is caring because she does not want to leave the cat at home be itself, in fear that the cat will get hurt. Also, she is caution, warning her son about the speed limit and not to exceed the limit because patrolmen are hiding in order to catch law breakers. She is observant and appreciates the simple things in life, such as ââ¬Å"stone mountain; the blue graniteâ⬠¦ the brilliant red clay banksâ⬠¦Ã¢â¬ On the way, she spots a â â¬Å"little Negro childâ⬠on the side of the road and she said ââ¬Å"if I could paint, Iââ¬â¢d paint that picture,â⬠which shows her sincerity.The grandma is also funny, when John Wesley asked ââ¬Å"whereââ¬â¢s the plantation? â⬠she responded, ââ¬Å"Gone with the wind. â⬠The grandmother is respectful towards the earth; she did not let the children throw the box and the paper napkins out the window. At times she feels embarrassed because of the way her grandchildren acts. The grandmother starts off sable then she became emotional. Another round/dynamic character is the Misfit. When the Misfit first encounters the family, he greets them with ââ¬Å"Good afternoon. â⬠When the grandmother ââ¬Å"began to cryâ⬠the ââ¬Å"Misfit reddened. This shows that the Misfit has compassion towards the grandmother that in seeing her cry he feels guilty. He sees the grandmother upset so he tries to comfort her by telling her ââ¬Å"donââ¬â¢t you get upset . Sometimes a man says thing he donââ¬â¢t mean. I donââ¬â¢t reckon he meant to talk to you thataway. â⬠At one point, the Misfit apologizes to the grandmother and the daughter in law for being shirtless in-front of them. The Misfit seems like a caring guy, but in the end he is a barbarian. He had the son, the daughter in law, and the two children killed.In the end, he shoots the grandmother ââ¬Å"three times through the chest. â⬠Flat characters have only one or two noticeable traits, and these traits do not change. Static character, remain the same throughout the narrative In contrast, June star and John Wesley are flat/static characters. Throughout the whole narrative both June Star and John Wesley are rude and has no manner. First of all, they never call the grandmother by her name or ââ¬Å"grandmother,â⬠they only call her ââ¬Å"she. â⬠The manner in which the children speak to the grandmother shows their lack of respect and their rudeness.When the g randmother did not want to go to Florida, John Wesley said ââ¬Å"If you donââ¬â¢t want to go to Florida, why dontcha stay at home? â⬠and June Star said ââ¬Å"She wouldnââ¬â¢t stay at home for a million bucksâ⬠ââ¬Å"Afraid sheââ¬â¢d miss something. She has to go everywhere we go. â⬠At the restaurant, the owner wife asked June Star, ââ¬Å"would you like to come be my little girl? â⬠and June Star responded, ââ¬Å"No I certainly wouldnââ¬â¢t,â⬠ââ¬Å"I wouldnââ¬â¢t live in a broken down place like this for a million bucks! â⬠which made the grandmother embarrassed.In the car, the children was yelling and screaming at their parents until they get their way. The reason to have round/dynamic and flat/static characters is so that they can contradict one another. If a narrative only has one character type then the narrative wonââ¬â¢t be as engaging to the readers. The round/dynamic characters add excitement to the narrative because th ese characters are unpredictable, one never knows what they are going to say or do by Text-Enhancenext. On the other hand, the flat/static characters are boring.They are simply there to make the narrative complete by having varies characters. The different characters types in a narrative allow the reader to compare and contrast the characters The Misfit[-;0], from Flannery O'Connor[->1]'s short story titled A Good Man Is Hard to Find[-;2], seems to me to be a very realistic character. Although the reader's first impression of him is very much a stereotype, O'Connor causes his character to be the only rounded one among a group of flat[-;3], one-dimensional people.His reality is paradoxically heightened further by the predictable plot she puts him into. This definitely reflects on the symbolism that O'Connor is using within the story. O'Connor intends A Good Man Is Hard to Find to be the study of a deeply conflicted character. The Misfit wants on one level to be good, or to be known[- ;4] as good, but he can't rationalize away or separate himself from his actions. At the same time as he's executing a family, he's trying to explain why he's only doing what is necessary[-;5].He also seems to feel some type of connection with the grandmother, as if they're both basically of the same substance[->6], however dissimilar their lives have been. After reading through the short story a few times, I realized that the Misfit is meant to symbolize Satan[->7]. His characterization as a misfit, murderer, deceiver and escaped convict are just the most obvious similarities between the two beings. Both his revelations about himself and his obsession with Jesus Christ[->8] bear out this comparison,. ->0] ââ¬â http://everything2. com/title/The+Misfit [->1] ââ¬â http://everything2. com/title/Flannery+O%2527Connor [->2] ââ¬â http://everything2. com/title/A+Good+Man+Is+Hard+to+Find [->3] ââ¬â http://everything2. com/title/flat [->4] ââ¬â http://everything2. com/titl e/known [->5] ââ¬â http://everything2. com/title/necessary [->6] ââ¬â http://everything2. com/title/the+same+substance [->7] ââ¬â http://everything2. com/title/Satan [->8] ââ¬â http://everything2. com/title/Jesus+Christ
Rhetorical, Textual, or Source Analysis worksheet
Write a short, clear summary of the article: This article tackles the problem of unhealthy self-esteem among women allegedly caused by media-generated concepts of femininity and how best to confront this problem, which is through social activism and social marketing. It is fuelled by the results of numerous studies which suggest a strong link between the portrayal of unrealistic images of women in the media and the increasing tendency towards unhealthy eating and dieting behaviours of women. What is the context of the article? In ââ¬Å"The Mediaââ¬â¢s Influence on Body Image Disturbance and Eating Disorders: Weââ¬â¢ve Reviled Them, Now Can We Rehabilitate Them,â⬠Thomson and Heinberg (1999) illuminate the growing concern among the American women population on the adverse impact of images portrayed in the mass-media on the self-perception and self-esteem of women who are exposed and vulnerable to subscribing to media-generated conceptions of femininity that have been linked to the increasingly unhealthy lifestyles taken up by more and more girls and women. What seems to be the authorââ¬â¢s purpose? The authors discuss the mechanism by which the media is able to influence the lifestyle patterns of women in the aim of identifying ways by which girls and women would be able to resist or combat the ill-effects of media images on their behavioural, psychological, and physical health. They present a relevant perspective on how women can counter the psychological manoeuvres of the mass media. In what type of publication did this appear? Describe it. The article appeared in the academic ââ¬Å"Journal of Social Issues,â⬠a quarterly publication which publishes contributions from social scientists and academics that tackle the relationship between society and human beings and issues that arise from this. The journal is published by Blackwell Publishing in behalf of The Society for the Psychological Study of Social Issues. Write a brief analysis of the authorââ¬â¢s credentials and possible expertise or bias. If no information is available on the author, try to take a guess based upon his or her knowledge and writing ability, which you might derive from the article. Thomson and Heinberg (1999) are obviously academic experts in the field of psychology who have extensively studied the impact of media-mediated concepts on the feminine psyche. In fact, the result of their own research on the effect of media images on the self-esteem and self-concept of women was among the evidence they presented in the article. Who seems to be the target audience? Be specific. Judging from the language and tone of the article, the authorsââ¬â¢ target audience are policymakers, development workers, and academic researchers. Here, Thomson and Heinberg (1999) clearly advocate for the creation and implementation of education-based programs that would benefit women by arming them with the knowledge to decipher the subliminal messages they are often bombarded with through advertisements and other forms of media. In short outline form, show the authorââ¬â¢s stance. Then, explain and evaluate the presentation of the authorââ¬â¢s stance. In other words, whatââ¬â¢s the thesis? What reasons are given for this stance? Are the reasons supported well? The authors contend that social activism will encourage women to be active in challenging the social structures that profit from and reinforce the prevailing social biases and gender stereotypes of women, while social marketing will teach women not only to pursue the demystification of the ââ¬Å"feminine idealâ⬠but more importantly, in the generation of positive and realistic concepts of being women. The article therefore summarizes the results of recent research which support the contention that the mass media is one of the biggest source of poor self-concept and self-confidence for women, and proposes the combination of two-strategies, social activism and social marketing,à that would enable women to counter the concept of the ââ¬Å"feminine idealâ⬠portrayed in the mediaââ¬âthat of the thin, airbrushed, and computer-generated modelââ¬âby empowering them to see through this images and helping them develop a multi-dimensional concept of being a woman. Analyze the writerââ¬â¢s language. What is the writerââ¬â¢s tone? Why might he or she have chosen this tone? Is it effective? What words are defined or left undefined? Give examples. The writerââ¬â¢s language is formal and academic, which might have been chosen because its target audience are those from the academe such as social scientists and intellectuals. It effectively conveys the weight of the problem at hand and lends seriousness to the discussion of the solutions presented. Based upon your analysis, is this a credible piece of writing? Explain. Yes, because it presents extensive evidence to its claim gained from years of academic research by social scientists interested in the issue. While the authors have recognized that a direct link between the images propagated by the media vis-à -vis womenââ¬â¢s self-esteem has yet to be proven, the article manages to support its contention in an ample manner by showing how media images, even indirectly, shapes the way women think, consume, and behave. In turn, its argument of using the media itself to turn things around becomes more convincing and relevant especially for women and other sectors involved. Finally, and in detail (really think about thisââ¬ârefer to specifics) how do the stance and language choices relate to the authorââ¬â¢s purpose and target audience? Explain. This article is written in a persuasive manner, and shows the authorsââ¬â¢ capability to use relevant information to support their thesis. It is also written in a way that could be understood best by development practitioners and students of the social sciences, which is suited with its intention of convincing those who might be involved in advocacy or policy-making to seriously address the rise in the number of weight-related issues affecting women that is attributed to the pervasive influence of the media. Work Cited: Thomson, J. Kevin, and Heinberg, Leslie J. ââ¬Å"The Mediaââ¬â¢s Influence on Body Image Disturbance and Eating Disorders: Weââ¬â¢ve Reviled Them, Now Can We Rehabilitate Them?â⬠Journal of Social Issues, 55.2(1999):339-353.
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